Michael Moore unmasked by left-wing filmmakers

Michael Moore unmasked by left-wing filmmakers
'If you have to sell out your values and principles to get at a greater truth, where does that leave you?'
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Posted: March 4, 2007
1:00 a.m. Eastern

© 2007 WorldNetDaily.com

Filmmaker Michael Moore, director and star of successful films such as "Roger & Me," "Bowling for Columbine" and "Fahrenheit 9/11," has become the unwilling subject of a new documentary that raises questions about the credibility of his work and describes a "disturbing pattern of fact-fudging and misrepresentation," reports the London Sunday Times.

While Moore has long been a favorite target of those on the political right, this new documentary – "Manufacturing Dissent" – comes from two left-leaning Canadian filmmakers who were once fans and who began their project expecting to tell a positive story.

"When we started this project we hoped to have done a documentary that celebrated Michael Moore. We were admirers and fans," said Debbie Melnyk, who, with husband Rick Caine, made the film. "Then we found out certain facts about his documentaries that we hadn't known before. We ended up very disappointed and disillusioned."

Caine and Melnyk discovered, early on, that the public persona they knew was not the Moore they encountered when they began to examine his work.

"As investigative documentarists we always thought we could look at anything we wanted," Caine said. "But when we turned the cameras on one of the leading figures in our own industry, the people we wanted to talk to were like: 'What are you doing? Why are you throwing stones at the parade leader?'"

Their first disillusionment came in Flint, Mich., where Moore had portrayed his efforts to interview Roger Smith, the former chief executive of General Motors, about the company's policies that led to closure of the city's auto manufacturing plants. In "Roger & Me," Moore failed to get Smith to talk to him. In reality, said Caine and Melnyk, Moore secured two on-camera interviews, but the scenes were left out, apparently for dramatic effect.

"Manufacturing Dissent" includes a long list of alleged exaggerations or distortions in Moore's other films.

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